![]() Dow Jones: The Dow Jones branded indices are proprietary to and are calculated, distributed and marketed by DJI Opco, a subsidiary of S&P Dow Jones Indices LLC and have been licensed for use to S&P Opco, LLC and CNN. Chicago Mercantile Association: Certain market data is the property of Chicago Mercantile Exchange Inc. Factset: FactSet Research Systems Inc.2019. Market indices are shown in real time, except for the DJIA, which is delayed by two minutes. For the showrunner, Elliot's flaws and illusions "reflect a potential fractured masculinity." This is also reflected in Whiterose herself - the malleable nature of identity, and the insufficiency of gender norms.Most stock quote data provided by BATS. "When I decided we'd do the show, I did not consider Elliott a hero, but what I thought would be interesting is if Elliot considers himself a hero," Esmail said. ![]() "Elliot is trying to be a man, is trying to find what that means, 'to be a man,' and part of that is being a hero, and that's the lie he tells himself." "It's a little tough, because it's not as if I have conceived of the story or I conceived of character attributes as a way of analyzing masculinity in America," Esmail said with a chuckle. Elliot's attempts to save damsels in distress backfire, sometimes with dire consequences - when he unsuccessfully speaks up for his friend Angela (Portia Doubleday) at work, he alienates her his attempt to save his girlfriend Shayla (Frankie Shaw) from sexual violence over her protestations results, ultimately, in her death. Suggestion/hint notwithstanding, Whiterose has already chipped away at Elliot's assumptions, much like the other female characters around him. It's unclear whether Whiterose will return in a later episode, but Esmail gave a "strong suggestion/hint" that the audience should watch all the way through the credits in the Aug. Again, without getting into spoilers, I think this kind of hits our theme on the head right there." "We just thought about the character … What was her path like? What if she was a very controlled person? What if she was incredibly ambitious? What if she had leadership skills? And then that's sort of what formulated Whiterose."Įsmail was hesitant to answer whether Whiterose's gender identity was integral to the story, because it might reveal too much of the series' plot, but he did say, "Identity is a huge theme in our show … We have these disparate identities, and the reality of who we are is ever shifting." Whiterose fits into this theme because "she clearly was born a man, but she identifies as the exact opposite, and she makes that very bold decision to show that. "I never checked the rule book on what tropes there are with trans, and then tried to do the opposite," Esmail said. However, this wasn't intentionally subverting the stereotype that binds transgender identity to insanity (for an example of the cliché, see Pretty Little Liars). She is ultracompetent, intimidating, deliberate, controlling: seemingly the opposite of unstable Elliot. Whiterose's scene is only a handful of minutes long, but it leaves a mark. "And then I realized, 'Well wait a minute, that's faulty logic.'" Gender identity doesn't have to be limited by that kind of logic. "He was perfect for the part, he just wasn't the right gender," Esmail recounted. … In walks Whiterose, and she's not the man everyone thought she was gonna be." For reasons he could not explain, he always pictured Wong playing the role. "One of the things, especially in technology, that we play with is that it tends to be a man's world, and we want to destroy that concept. "We want to subvert those expectations," he said. The head of the dangerous hacker group the Dark Army was always going to be a woman, Esmail noted. "We display it full-frontal, without any apologies." It is not remarked upon in the show because it should be unremarkable. Robot's creator and showrunner, Sam Esmail, is matter-of-fact about it: "There are obviously people on all different on the spectrum of gender and sexuality that make up this world, and I just try and portray that reality, as sort of - I don't want to say the word 'casually,' but be as up front as possible," Esmail said in a phone interview. When Elliot sees Whiterose, he seamlessly switches pronouns: "She's trolling me," he thinks to himself. Wong) as "he" moments before meeting her. ![]() The USA series' vigilante hacker protagonist, Elliot (Rami Malek), assumes that the head of a powerful Chinese hacker group is a man, and refers to Whiterose (B.D. Just one night after Pretty Little Liars revealed that a mysterious sociopathic tormenter is a transgender woman, the gender identity of a non-passing transgender woman of color scarcely even registered on Mr.
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And the funny thing about the answer is this. I felt after hearing Sonic's comments in his first post, this was a straitforward, and honest answer. Bring over a song of YOURS, and I'll TEST it for ya. It's just that you don't have any critics who are 'strong enough' as writers to hit you where it hurts. Secondly, I never said ANYTHING about the strength of OUR writer members. If you have any stuff like this, I'd SURE like to see it Don. MY Songs, and those of my co-writers and friends are posted here. I registered under the same name as here and will be back to check things out. If what you are trying to establish is a forum for people to help each other grow and not an ego stroking club, then that would be a very valuable tool. Until you get some strong members who gain the respect of the rest of the group and act as a stabilizing factor, this potential will remain high and could cause problem. I guess what I am seeing is that the potential for this to become a "he bashed me so I'll bash him later" site looks high at the moment. On the other hand, you have some people on board who have some very good tastes, so their comments are valuable. ![]() Of course we have egos, but most all the folks here check them at the door. The people here receive criticism very well. I also noticed this about some of the other people. Instead of taking them in and using it to learn, she seemed to get defensive. Some of the people gave some VERY GOOD comments. I listened to her song and it was a pretty generic piece. I did notice one big difference between your site and HomeRec is that some of the people there don't know how to take constructive criticism. I registered for Tunesmith and went through some of the posts. ![]() PSS> Be sure to listen to some of our unknown "spotlight" songwriting members too. PS> make sure you use the same screen name badgas, if you become a Tunesmith member, so I can remember to check out some of your songs! We even have Scott Mateer (Grammy nominee for "Dear Me" Lorrie Morgan) helping us out, by answering Music Industry questions on the board. For that reason alone, I want to get you folks in there to be noticed, and to get your songs critiqued and heard. Get Involved, And Help Each Other Grow As Writers!īadgas, I appologize if posting this thread seemed at all unprofessional, but there were 3 reasons why I decided to do it.ġ) Because for the most part, this board seems to be geared towards "Home Recording" as opposed to "Commercial Songwriting, and Critiques" which keeps us from being in competition with one another.Ģ) Because we don't yet have search engine support (although we have recently applied for it)ģ) Because we are starting to arouse the curiosity of some famous Nashville writers and publishers. 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AND CHECK OUT SOME OF THE STRONGEST UNKNOWN SONGWRITERS ON THE NET, IN OUR SPOTLIGHT SECTION !!! We have no ad banners, and are non-profit.) The critique board, and professional songwriting mentors are there to help, as kind volunteers, without pay. (because we at Tunesmith are only inviting you to stop by. I guess this is "sort of a Spam letter" but not really. ![]() When we also use the extension "Code Runner", the run button ("Run Code") provided by it defaults to output results in "OUTPUT". It only requires us to click once to run python files in the Terminal of VS Code: In VS Code, the green run button provided by the "Python" extension is to execute the command " Run Python File in Terminal". $('#response1').html("The following error was returned: " + JSON.stringify(jqXHR) + "Please Contact M2 AV Consulting at JSON will appear here.I hope.) ValueError: Couldn't find a pure Python 3 wheel for: 'sqlalchemy=1.4.17'Īt method_call_trampoline (:14) ![]() Yield self # This tells Task to wait for completion.įile "/lib/python3.9/asyncio/tasks.py", line 328, in _wakeupįile "/lib/python3.9/asyncio/tasks.py", line 256, in _stepįile "/lib/python3.9/site-packages/micropip/_micropip.py", line 191, in install :14 Uncaught (in promise) PythonError: Traceback (most recent call last):įile "/lib/python3.9/asyncio/futures.py", line 201, in resultįile "/lib/python3.9/asyncio/tasks.py", line 258, in _stepįile "/lib/python3.9/site-packages/_pyodide/_base.py", line 494, in eval_code_asyncįile "/lib/python3.9/site-packages/_pyodide/_base.py", line 347, in run_asyncįile "/lib/python3.9/asyncio/futures.py", line 284, in _await_ $('#response1').html("The following error was returned: " + JSON.stringify(jqXHR)) Var response = JSON.stringify(data, null, 4) set authCode to be code attribute of response Var url = '' + apiKey + '&scope=smartWrite' set all apiKey inputs to have apiKey value entered “Dame Olivia Newton-John (73) passed away peacefully at her Ranch in Southern California this morning, surrounded by family and friends. ![]() Her husband John Easterling shared the news in a post. She passed away on August 8 due to breast cancer. Many have remembered the beloved singer/actress since she passed. In 1981, she took her new, sexier persona a step further with “Physical,” a dance number with such suggestive lyrics as, “There’s nothing left to talk about unless it’s horizontally.” Banned by several radio stations, it became her biggest hit, spending 10 weeks atop the Billboard Hot 100.A post shared by Chloe Lattanzi Olivia Newton-John Remembered and Honored by Many in Month After Her Death The cover of her next album, “Totally Hot,” featured the singer in black leather, while its songs had an edgier, more contemporary pop sound. The movie gave Newton-John an opportunity to change her squeaky-clean image. Then came “Grease,” which was 1978’s top-grossing movie and became an enduring cultural phenomenon. 1 easy-listening hits followed, including “I Honestly Love You,” “Have You Never Been Mellow” and “Please Mr. Newton-John recorded her first single in England in 1966 and scored a few international hits, but she remained largely unknown to US audiences until 1973, when “Let Me Be There” became a top-10 hit on both the adult contemporary and the country charts.Ī series of No. After winning a talent contest on a TV show, “Sing, Sing, Sing,” as a teen she formed an all-girl group and began appearing on weekly pop music programs in Australia. 'Grease' co-stars, friends and fans pay tribute to Olivia Newton-Johnīorn in Cambridge, England in 1948, Newton-John moved with her family to Melbourne, Australia, when she was five. REUTERS/Mario Anzuoni Mario Anzuoni/Reuters The star of late actor Olivia Newton-John is adorned with flowers and photographs on the Hollywood Walk of Fame in Los Angeles, California, U.S., August 8, 2022. Newton-John sang on three of the movie’s biggest hits: the duets “You’re The One That I Want” and “Summer Nights” with Travolta, and her swoony solo ballad, “Hopelessly Devoted To You.” I’m very lucky to have been a part of it. “I don’t think anyone could have imagined a movie would go on almost 40 years and would still be popular and people would still be talking to me about it all the time and loving it,” Newton-John told CNN in 2017. Their onscreen chemistry as mismatched lovebirds who undergo final-act makeovers to win each others’ hearts – she ditches her frilly dresses for heels, leather, spandex and a cigarette – anchored the movie and inspired repeat viewings by legions of fans. Olivia Newton-John and John Travolta in 1978 in 'Grease.' Paramount Pictures/Fotos International/Getty ImagesĪlthough she had little acting experience (and turned 29 during filming), Newton-John gave an indelible performance as Sandy, a sweet-natured Australian transfer student who romances Travolta’s alpha greaser Danny at a Southern California high school in the 1950s. ![]() But her co-starring role opposite John Travolta in 1978’s “Grease,” arguably the most popular movie musical of all time, lifted her to a new level of stardom. Thanks to a string of country and soft-rock hits, Newton-John was already a popular singer by the late 1970s. It was her third cancer diagnosis, following bouts with breast cancer in the early ’90s and in 2017. The singer revealed in September 2018 that she was treating cancer at the base of her spine. “Olivia has been a symbol of triumphs and hope for over 30 years sharing her journey with breast cancer.” ![]() We ask that everyone please respect the family’s privacy during this very difficult time,” her husband, John Easterling, wrote in a statement on the singer’s verified Instagram account. “Dame Olivia Newton-John passed away peacefully at her Ranch in Southern California this morning, surrounded by family and friends. Olivia Newton-John, the Australian singer whose breathy voice and wholesome beauty made her one of the biggest pop stars of the ’70s and charmed generations of viewers in the blockbuster movie “Grease,” died on Monday, according to a statement from her husband. Make sure the Bluetooth® connection on your mobile device is turned on. The remainder of the setup will be done using your iOS or Android mobile device. You also gain access to online training, collateral, webinars, and other tools created specifically for the installer channel.įor more detailed instructions and product info, please visit /pro In addition to managing all of your clients, you can program and push syncs while off-site to decrease the need for truck rolls. If you don’t already have a dealer account, please visit ![]() You’ll need a Logitech Pro Portal account to take advantage of features only available to dealers in the portal. Visit the Apple App Store or Google Play and install the Harmony App. Make sure your client knows they should place the remote in the charging base when they aren’t using it. The remote will hold a charge for 2-3 days of typical use. Keep the remote in the charging station until setup is complete. Plug in the charging station and place the remote in it. Once it has successfully been connected to a Harmony account the LED will glow green (Step 3). The LED will glow red initially, then flash red when ready to pair with your BT enabled mobile device. Once plugged in, the hub takes approximately 30 seconds to power up. When using a PoE connected Ethernet cable, the AC adapter is not required. Harmony Pro 2400 hub can be powered by the included AC adapter, or a PoE connected Ethernet cable. It can also be placed in cabinets using 3.5mm IR emitters or 3.5mm male to male cables positioned properly and connected to the hub. Harmony Pro 2400 Hub can be placed in any unobstructed location where IR signals can be transmitted to AV equipment. For more information, please visit: /pro Lets Get Started STEP 1: Properly positioning the hub An example would be moving the antenna outside a rack in order to increase reception. The included antenna is designed to increase RF range between the remote and hub, and can be used with a cable lead to move the antenna to a location with less interference. Harmony Pro 2400 is also equipped with a detachable SMA antenna. ![]() The hub sends commands to entertainment and home control devices over Bluetooth, a cloud based and local network API (IP), or with infrared signals (IR) depending on the specific device.The remote itself does not send commands directly to devices unless it has been configured to do so from the Harmony app or remote. The hub receives commands from the remote, mobile app, as well as approved partner manufacturers. ![]() Now, I should say I'm not trying to bash the developer who originally did these models (and has long left the team), as making so much content was still a hard and long job that provided KSP with valuable placeholders to ride with for a long time. No attempt was made to build a consistent color palette that works together in interiors, each texture was created without referencing others, which leads to a chaotic, unpleasant color set without any nice contrasts for the eye. I vividly remember, for example, a photo of some small electric control panel stretched onto the whole height of an old launch tower, or strange green boxes each VAB "shelf" was stuffed with, with dials so large a kerbal could fit into them! Some stuff evidently used non-proportional transformations. Diffuse textures contained puzzling detail. Normal maps, if used, were hastily generated by an automatic filter with poor results. Sometimes it's unavoidable, like with the terrain system that's forced to operate on enormous scale, but there is no excuse not to make building models consistent in themselves. Ideally, you should get exactly the same texture resolution per surface area everywhere: 512x512 per 8x8 meters, for example (that translates to 2x2m for 128x128 textures and so forth): that hugely helps to make everything look more consistent, and makes MIP mapping behave nicer. First, there was an extremely inconsistent texel density (which means that texture resolution varied wildly across the surfaces, with crystal-clear high-resolution metal seen right next to a muddy concrete stretched across hundreds of meters).Click them.Īnd finally, the quality of texturing. ^ As a side note: most of the images there and from now on are clickable thumbnails that will lead you to high-res originals. Unsatisfying overall quality from an architectural standpoint: problems with composition and color, lack of consistent elements like window and door systems, lack of ventilation, questionable structure, surfaces lacking contrast between high and low frequency detail.Elements lacking function added just for the sake of filling space with something, in the vain of "greeble" used to cover surfaces of sci-fi ships.Buildings were using vastly disproportionate elements, like glass industrial lamps on the VAB clocking three meters across, randomly scaled doors and 10 meter-high observation windows.Aforementioned wouldn't be as much of a problem if those buildings looked rad, but alas. Well, the old VAB interior was consisting of dozens of separate models, and some other objects were no better off. having a building consisting of five models, is better than having a building consisting of half a hundred (I'm leaving it to you to imagine how draw calls are multiplied in that case). Old buildings were using a multitude of materials: for example, the old Vehicle Assembly Building (VAB) interior used 16 materials (which wasn't even noticeable from surface resolution or material variety). Should the object cast shadows and receive shadows? Add two more! Now, guess what happens if an object is using 20 materials? The amount of draw calls adds up extremely quickly then, and your CPU can only send so much and your GPU can only receive so many before things start to slow down. Want to use transparency? Add another one. Want to use a normal map? That's another two heavy draw calls. If you want to use a diffuse texture under simple ambient light, it would be two drawcalls: one for the geometry and texturing, and one for shading. If you want to render a textureless cube without lighting, that can be done with just one draw call. There is a multitude of factors that break everything into hundreds and potentially thousands of separate calls. And the thing is, what you're seeing in any given frame isn't being sent to the GPU in one chunk. Why? There are things called draw calls, which are portions of information sent from the CPU to your GPU describing what to render. Second, the material count, and subsequently, the amount of textures old models were using was problematic. While old buildings were seemingly simple in their shape, they were modeled using some techniques like boolean extrusions which did not work out too well for their polycount. Let's recount the issues that were present in the old content.įirst, the polycount. |
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